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Interview with Massimilano Arriga

Category

Interviews

Publication date

29/04/2026

Linked profiles

Can you describe your profession, your finished products, and your areas of specialization?
I imagine, design, create, and finish one-of-a-kind pieces of jewellery, as well as objects and accessories. I personally set all the stones, sculpt and melt wax, and engrave and model metals and wood.

What materials do you use in your work?
I work with gold, silver, platinum, titanium, steel, wood, perspex, and a wide range of precious and semi-precious stones.

Can you describe your craftsmanship: techniques, tools, and materials?
Once I take hold of my tools, I begin by selecting and working with the stones, matching them according to my vision. Using my burin, I engrave the wax, which is then melted and transformed into metal. Finally, I set the stones and complete the piece with polishing.

What is the typical profile of your clientele?
My clients do not seek conformity. They do not follow mainstream models, but wish to stand out through their personality and style.

At what age and under what circumstances did you begin this profession?
I grew up around my father’s workbench, Arrigo Arriga, a Roman goldsmith. At the age of five, in his atelier, I began experimenting: breaking tools, shaping metals, and learning to match the colours of precious stones.

Where and for how long were you trained before starting your own activity? Do you think formal education or apprenticeship is more important today?
After school, I spent all my time in the world of jewellery. At 17, I began my apprenticeship as a gem setter and engraver in one of the most important craft workshops in Rome. At 23, I started working independently. I strongly believe that the best way to learn any art is through direct experience in a workshop.

What role do talent and creativity play in your profession?
Creativity, quality, and uniqueness: these are the key elements around which my work revolves.

What role does innovation play in your work?
I am constantly searching for new tools and materials. However, working with bespoke jewellery, I tend to keep a certain distance from marketing. For me, innovation lies primarily in the making process and in the materials.

What is the best way to learn this profession today?
In a workshop, through direct experience.

What is your message for younger generations?
If it is true love, always follow your instinct. Never stop believing in your passion.

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