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General presentation

I am a luthier who makes violins and violas. Another major part of my work is to repair and restore all instruments of the violin family and their bows.

I graduated from the luthier ‘s department of the woodworking school in my hometown Plovdiv. The learning there lasted
four years. I was twenty two when I started to make violins as a luthier in a violin making factory. A few years later, I established  my own atelier.

The wooden materials I use are the classically established  combination of European spruce for the tops and Balkan maple for the rest parts as well as ebony, rosewood and boxwood for the fingerboards and trimmings. I mainly work with natural air dried (about twenty years) wood from Bulgaria because of its excellent acoustic quality. The violin making technology is conservative following a few century lasting work methods. My mission is to keep following them.

Je suis luthier, spécialisé dans la fabrication de violons et d’altos.
Une autre partie importante de mon travail consiste à réparer et restaurer tous les instruments de la famille du violon ainsi que leurs archets.

J’ai été diplômé du département de lutherie de l’école du bois de ma ville natale, Plovdiv, où la formation a duré quatre ans.
J’avais vingt-deux ans lorsque j’ai commencé à fabriquer des violons en tant que luthier dans une fabrique de violons.
Quelques années plus tard, j’ai fondé mon propre atelier.

Les matériaux que j’utilise sont ceux traditionnellement reconnus : épicéa européen pour les tables d’harmonie et érable des Balkans pour les autres parties, ainsi que ébène, palissandre et buis pour les touches et les accessoires.
Je travaille principalement avec du bois naturellement séché à l’air (environ vingt ans) provenant de Bulgarie, réputé pour ses excellentes qualités acoustiques.

La technologie de fabrication des violons que je suis est conservatrice, respectant les méthodes traditionnelles séculaires.
Ma mission est de continuer à les perpétuer.

Soy luthier y fabrico violines y violas.
Otra parte importante de mi trabajo consiste en reparar y restaurar todos los instrumentos de la familia del violín y sus arcos.

Me gradué en el departamento de lutería de la escuela de carpintería de mi ciudad natal, Plovdiv, donde los estudios duraron cuatro años.
Tenía veintidós años cuando comencé a fabricar violines como luthier en una fábrica de instrumentos.
Pocos años después fundé mi propio taller.

Los materiales de madera que utilizo son la combinación clásica: abeto europeo para las tapas armónicas y arce de los Balcanes para las demás partes, además de ébano, palisandro y boj para los diapasones y adornos.
Trabajo principalmente con madera secada al aire de forma natural (unos veinte años) procedente de Bulgaria, por su excelente calidad acústica.

La tecnología de fabricación de violines que sigo es tradicional y conservadora, basada en métodos de trabajo transmitidos durante siglos.
Mi misión es seguir manteniendo viva esta tradición.

Sono liutaio e realizzo violini e viole.
Un’altra parte importante del mio lavoro consiste nel riparare e restaurare tutti gli strumenti della famiglia del violino e i loro archi.

Mi sono diplomato presso il dipartimento di liuteria della scuola del legno della mia città natale, Plovdiv, dove la formazione è durata quattro anni.
Avevo ventidue anni quando ho iniziato a costruire violini come liutaio in una fabbrica di strumenti.
Alcuni anni dopo ho fondato il mio laboratorio.

I materiali lignei che utilizzo sono la combinazione classica: abete europeo per le tavole armoniche e acero dei Balcani per le altre parti, oltre a ebano, palissandro e bosso per tastiere e finiture.
Lavoro principalmente con legno stagionato naturalmente all’aria (circa vent’anni) proveniente dalla Bulgaria, rinomato per la sua eccellente qualità acustica.

La tecnologia di costruzione dei violini che seguo è conservatrice, fedele ai metodi tradizionali tramandati da secoli.
La mia missione è continuare a rispettare e preservare queste tecniche.

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Describe your profession, with details on products, services, expertise and know how.

I am a luthier who makes violins and violas. Another major part of my work is to repair and restore all instruments of the violin family and their bows.       

What materials do you use? Where and how you purchase them?

The wooden materials I use are the classically established  combination of European spruce for the tops and Balkan maple for the rest parts as well as ebony, rosewood and boxwood for the fingerboards and trimmings. I mainly work with natural air dried (about twenty years) wood from Bulgaria because of its excellent acoustic quality.

Describe the techniques, the tools and the materials you use in your work.

The violin maker works in a workshop (atelier) well equipped and organized with mainly hand instruments, materials and accessories.

The good luthier must have the skills and competencies to make wholly an instrument starting with choosing the proper materials, to making every single part, to assemble all of them, to varnish it and finish with the acoustical settings of the instrument.

The luthier is capable of discussing with clients when making, repairing or offering an instrument according to the client’s taste and style of playing.

At what age and under what circumstances did you start this job?

I was twenty two when I started to make violins as a luthier in a violin making factory. Few years later I established  my own atelier.

Where and how long have you been trained before you were ready to start your own business? In a training institute, with a craftsman or both? What do you think is the best way to learn your job today? Schools, training with craftsmen …?

I have graduated from the luthier ‘s department of the woodworking school in my hometown Plovdiv.  The learning there lasted four years.

What role do “talent” and “creativity” play in your profession?

The fine taste involved in creating every detail with much esthetics is lifting the luthier’s craft in an art.

And what about innovation, what are the changes since you started? Do you use new materials, tools, or processes in manufacturing and marketing? What is the impact of innovation on your performance? How could your profession be even more innovative?

The violin making technology is conservative, following century lasting work methods.

My mission is to keep following them.

What is the best way to learn your profession?

Either studying at violin making school or in an atelier under supervision of a master violin maker followed by some practicing period would give good results.

What is your message to younger generations who might choose your profession?

To be patient, persistent, consistent and with a lot of enthusiasm. To learn constantly and to be aware of the best practices, to consult only the best masters. 

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