Stained glass has the particularity to change the light in a place. Even very tiny, it has it’s impact in the way you look at the light.

I was formed by Evelyne Bonnet, a maitre-verrier near Fontainebleau, who – at that time – was in partnership with Rempart, an association for restoring and renewing old but important buildings like chapells, churches, abbeys and even middel-aged gardens in France, but also elsewhere in Europe.
After my formation, I felt the need to go further on my own wings.