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Presentazione

Artisan Campanaire spécialisé dans l’installation, l’électrification, la restauration et l’entretien de cloche mais aussi de carillons depuis 30 ans, Olivier Baudri utilise son savoir-faire pour intégrer les nouvelles technologies au service de la tradition.

Il est l’unique détenteur actif de ce patrimoine intangible dans la région Wallonne. Sur les clochers, il s’occupe de remplacer les montures et battants ainsi que d’électrifier les cloches, ce qui leur permet, à l’aide du moteur, de sonner les heures, le glas ou encore l’angélus.

Le patrimoine campanaire a historiquement une importance fondamentale dans le rythme de vie du village. La cloche signale les moments de prière en sonnant « 3 fois 3 coups suivi d’une volée d’une minute, ponctué d’un ‘’Je vous salue Marie’’. Et cela matin, midi et soir.  C’est pour cette raison que beaucoup de cloches ont été fondues après la deuxième guerre mondiale. Il était impératif de les refaire sonner »

L’atelier et la fonderie de Tellin sont des lieux chargés d’histoire puisqu’ils ont abrité plusieurs générations de maîtres-fondeurs et artisans campanaires depuis 1832. Les cloches de l’atelier du Val des Cloches, sont aujourd’hui sonnées partout à travers le monde

« Le métier d’artisan campanaire est un métier magique, chaque jour je découvre de nouveaux endroits où les gens ne vont pas. On monte sur des clochers superbes et on voit des cloches qui peuvent avoir plus de 200-300 ans. Savoir qu’on va pouvoir les refaire sonner et les conserver est réellement un plaisir plus qu’un travail pour moi »

 

Artisan Campanaire spécialisé dans l’installation, l’électrification, la restauration et l’entretien de cloche mais aussi de carillons depuis 30 ans, Olivier Baudri utilise son savoir-faire pour intégrer les nouvelles technologies au service de la tradition.

Il est l’unique détenteur actif de ce patrimoine intangible dans la région Wallonne. Sur les clochers, il s’occupe de remplacer les montures et battants ainsi que d’électrifier les cloches, ce qui leur permet, à l’aide du moteur, de sonner les heures, le glas ou encore l’angélus.

Le patrimoine campanaire a historiquement une importance fondamentale dans le rythme de vie du village. La cloche signale les moments de prière en sonnant « 3 fois 3 coups suivi d’une volée d’une minute, ponctué d’un ‘’Je vous salue Marie’’. Et cela matin, midi et soir. C’est pour cette raison que beaucoup de cloches ont été fondues après la deuxième guerre mondiale. Il était impératif de les refaire sonner »

L’atelier et la fonderie de Tellin sont des lieux chargés d’histoire puisqu’ils ont abrité plusieurs générations de maîtres-fondeurs et artisans campanaires depuis 1832. Les cloches de l’atelier du Val des Cloches, sont aujourd’hui sonnées partout à travers le monde

« Le métier d’artisan campanaire est un métier magique, chaque jour je découvre de nouveaux endroits où les gens ne vont pas. On monte sur des clochers superbes et on voit des cloches qui peuvent avoir plus de 200-300 ans. Savoir qu’on va pouvoir les refaire sonner et les conserver est réellement un plaisir plus qu’un travail pour moi »

This interview is part of a series of interviews with European craftspeople conducted in collaboration between FRH, the European network for Religious Heritage, and Mad’in Europe, the network of European fine and traditional crafts and Cultural Heritage restoration professions.

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Olivier baudri with a monumental bell
Olivier Baudri with a monumental bell. © Madi’in Europe.
Olivier Baudri started his career in the world of bells in the bell foundry of Tellin, a Belgian village in the region of Wallonia. The trade ran in his family, as his father was also a bell founder. Now he specialises in installation and automation in Belgium and neighbouring countries. In this interview he shares a little bit about his profession as well as what he expects for future generations.

1. Please introduce yourself (profession, area of expertise and years of experience).

OB :  I have been a bell maker and bell founder for over 30 years. Now I work in the field of automation of bells and dials in churches.

2. What clients/markets do you work with (are they local, national or international)? Which are the required skills and certifications that your customers request?
Baudri7
Olivier Baudri climbing the bell tower.
© Mad’in Europe.

OB : We work mainly at the national level, namely in Belgium but we also travel to France and Germany since I frequently work with the company André Voegele. Our field of expertise is quite vast since we touch several trades such as carpentry, mechanics, electricity, clock-making, automation. We also do gold leaf coating. We have an accreditation that allows us to work in the field of heritage.

 

 

3. Please briefly explain how your profession is related to religious heritage and/or cultural heritage.

My profession is directly linked to cultural heritage since I am in charge of the maintenance of church bells. We also maintain and restore some castle bells, but this represents a small part of our work.

4. Please describe the main steps of your usual working process and the materials that you use most.
Baudri6
Olivier Baudri at the bell foundry.
© Mad’in Europe

OB: First of all we make an inventory of the bells and their installation. Then we draw up a report of the work to be done for the conservation of the bell. The steps obviously depend on the condition of the installation. We can end up having to redo the bell’s mounting (the element that allows it to stand). This mount is usually made of wood or metal. Another important step is the electrification and automation of the bell. We add motors and automatisms which allow the bell to ring at a precise time.

5. Do you regularly cooperate with craft professionals from other fields?

OB: In my job I regularly collaborate with a clockmaker for all the mechanical parts of the clock, such as the production of the cogs. The rest is almost exclusively made by us.

6. Please mention any innovation that helped improve your work (technological, digital, material related, legal…) and explain the impact they had on your profession.

OB: There have been several innovations in my profession. For example, to create a bell we can now use a 3D printer system that allows us to make symbols on the bells. On the technical level, we can count on more efficient hoists to move the bells inside the bell tower.

There have also been many innovations in the automation of the bells. In the past, the automation systems were mechanical, they were semi-electric-mechanical clocks, but now we have automatons with touch screens and telephone connection systems. So we can switch on the bells from anywhere.

Detail of the carillon
Detail of a carrillon. © Mad’in Europe.
7. How did you learn the profession? Can you detail your learning path mentioning schools and workshops where you were trained?

OB: I got into the business because I live in Tellin. In my family we have been from here from father to son for several generations. The bell foundry in Tellin has always been a landmark in the village, it has always intrigued me. So I started learning the trade in a Flemish company for a few years. Then I went to work in France with Mr. Voegele before becoming independent in 1995.

Baudri casting
Casting process © Olivier Baudri
8. Do you pass on your knowledge to young people?

OB: I pass on my knowledge to my son who is currently working with me. I try to pass on the trade to him.

9. What would you recommend to a young person interested in your profession?

OB: The job of bell maker is a magical job, every day I discover new places where people don’t go. You climb up beautiful bell towers and see bells that can be over 200-300 years old. Knowing that you will be able to ring them again and preserve them is really a pleasure more than a job for me. That’s why I recommend my job to young people. More than a job, I’m doing something I love.

10. Do you think that your profession is threatened and in this case, what are the main threats?

The main threat is the shortage of bellmakers, especially in Belgium. The situation is a bit better in other European countries like France for example, but in Belgium we are very few. In Flanders there is hardly anyone left. This is largely due to the lack of training that we suffer from in the country. Another disadvantage is the time lost in administrative and bureaucratic procedures. This time is therefore not spent in the workshop.

Panel indicating the ancient workshop now museum in tellin
Pannel indicating the ancient workshop now museum in Tellin © Mad’in Europe
You can find out more about Olivier Baudri’s work and portfolio on his website .

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