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What Is Luxury, Really?

It is said that Socrates, while walking through a market in Athens, would stop in…
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ASMA: Joining forces to better safeguard vernacular heritage

Founded in 1972 and bringing together more than 1,100 members, including individuals, craftspeople and 70…
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In Westhoffen, a School Reconnecting Architecture with Craft Skills

In July 2026, La Table Ronde de l’Architecture inaugurated a school in Westhoffen, Alsace, dedicated…
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Virgil Declercq - Who keeps heritage alive?

Virgil Declercq : Who keeps heritage alive?

Virgil Declercq : Who keeps heritage alive? Between memory and transmission: why craft skills are…
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Beyond lead: Cerfav’s research for a sustainable alternative

The French stained-glass heritage represents 50% of the world’s total area of stained glass and…
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Observe, Repeat, Transmit: The Real Way to Learn a Craft

Observe, Repeat, Transmit: The Real Way to Learn a Craft

Across Europe, many traditional crafts face the same challenge: ensuring that specialised knowledge is successfully…
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Fibres : from the field to the hand

Fibres : from the field to the hand

Fibres : from the field to the hand Basketry and cane work are crafts born…
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Fairmined: Towards Responsible Gold in Jewellery

Fine jewellery is often associated with beauty, rarity and value, yet rarely do we question…
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Crafts in Belgian style

Top Photo : Grand Place In Brussels, 12 century guilds buildings, UNESCO World Heritage site…
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Museum Plantin-Moretus: From writer to reader

Museum Plantin-Moretus: The Making of a Book, from Writer to Reader Located in the heart…
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Paper manufacuring, illustration to Diderot's Encyclopédie 18th century.

Printing Time: Paper, Printmaking, and the Knowledge that Spreads Learning and Preserves Memory

In the age of digital media and instantaneity, it is often forgotten that printing and…
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Journey of Wool

When we think of wool, we might picture our favourite winter jumper, our grandmother knitting…
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