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VISIT OF MUSÉE CHARLIER – 4. GLASSWORK

Visit of Musée Charlier – Step n. 4. Since the 18th century, Belgian glassmakers have…
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VISIT OF MUSÉE CHARLIER – 3. SILVERWARE

Visit of Musée Charlier – Step n. 3. The first showcase on the left shows…
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VISIT OF MUSÉE CHARLIER – 2. STAINED GLASS

Visit of Musée Charlier – Step n. 2. Stunning stained glass is used to embellish…
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VISIT OF MUSÉE CHARLIER – 1. PORCELAIN COLLECTION

Visit of Musée Charlier – Step n. 1. As you enter the Salon Charlier, you…
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Seeds: installations around light and reflections, an innovative combination of 2 hot glass techniques

In 2016, thanks to the SofinaBoël  fund for education and talent (Fondation Roi Baudouin) I…
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Experimenting with light through photo printing on glass and reflections through glass

Photo printing on glass In August 2019, I followed a workshop with artist Silvia Levenson…
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Rêverie Céleste

Description synthétique de l’œuvre Dôme en vitrail traditionnel (6m Dia.), portions peintes et sablées Description…
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THE ART OF THE GLASS BEAD LISTED BY UNESCO AS INTANGIBLE HERITAGE

Le 17 Décembre 2020, l’inscription par  de « l’Art de la perle de verre » sur la…
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Centro de Artes e Ofícios Roque Gameiro (Caorg) - Atelier Tecelagem

Tecelão

O tecelão urde a teia, introdu-la no tear e tece. Há um trabalho preparatório de…
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Atelier de Tecelagem – Centro de Artes e Ofícios Roque Gameiro

SOME HISTORY … The Minde® Blanket Natural space is the support and often the condition…
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THE CATALAN VAULT

An ancient technique to build a better future By Andra Ritisan & Charlotte Pierre Human…
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Restoration by IPARC of the Art-Nouveau furniture, designed by Victor Horta for the Wolfers’ shop

IPARC – in collaboration with Denys NV and architect Barbara Van der Wee- restored the…
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If you wish to share research documents, articles and other information related to crafts and cultural heritage safeguard, you are welcome to contact us.

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